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Le Centre d’Art is a public interest institution founded in 1944. A cradle for Haitian art, it has helped several generations of renowned artists from Hector Hyppolite to Edouard Duval Carrié.

Historically,Le Centre d’Art has simultaneously been an educational center, gallery and reference institution for the promotion of Haitian art. The earthquake on January 12, 2010 severely affectedLe Centre d’Art. After the collapse of the building and the death of its director, the site remained closed for four years.

In November 2014, Le Centre d’Art reopened its doors for its 70th anniversary with a temporary layout. Since then, the institution has started to work once again with the public and artists. We are also working on enhancing the Center’s heritage (collection, archives) and developing a total reorganization project for the future.

Our Mission

Le Centre d’Art remains faithful to its original mission and continues to improve it in order to adapt to contemporary issues:

> Find, educate and mentor Haitian artists. Identify talent, enable creation and circulate it for the benefit of the entire art world.

> Document and display Haiti’s significant visual arts heritage. Offer quality access to Haitian art to both the public and professionals.

ACTU > OPEN CALL | Artist-in-Residence at NLS, Jamaica

Le Centre d’Art is setting up a synergy project for artistic creation and artistic analysis in the Caribbean, thanks in particular to UNESCO’s International Fund for Cultural Diversity (IFDC).

The project Implementation of a Network for the Creation and Dissemination of Caribbean Art, aims at creating a link between Haiti and Caribbean places of creation, and to promote the practices of Caribbean artists, especially women, to strengthen the Haitian cultural sector. For two years, artistic residencies will be set up, and will end with an exhibition and a widely distributed publication.



“The ability of humans to participate intelligently in the evolution of their own system is dependent on their ability to perceive the whole”  Immanuel Wallerstein

Toussaint L’Ouverture, Jean Price Mars, Aimé Césaire, Marcus Garvey, Frantz Fanon, Derek Walcott Long is the list of illustrious men who have shaped the Caribbean countries as we know them today. What about Caribbean women? University theses on the role of women are rising but they are not taken for the general public. Art has the power to make accessible fundamental values and principles, which are too often convoluted. This project aims at highlighting the role of women in the construction of the Caribbean.


ABOUT THE RESIDENCYfrom June 1st to 30th, 2020

For this segment of the residency programme, NLS/Edna Manley College will host one artist from Haiti or its diaspora for one month in Jamaica.

Le Centre d’Art will fully bear the costs of residency. The artist will be provided with a workspace, tools and supplies and housing. In addition, the artist will receive per diem to cover all food and transportation expenses throughout the residency. The ticket and the visa will also be covered by Le Centre d’Art.

TERMS OF APPLICATION – Residency in Haiti, June 1st to 30th 2020

This call for applications to attend a residency at NLS/Edna Manley College in Jamaica is opened to any woman artist from Haiti or its diaspora.

The call targets exclusively the field of visual arts (such as painting, sculpture, film and photography). The artist may practice multiple forms of artistic production.

The deadline to submit the application is before April 12th, 2019. For further information on the terms, please click HERE.


CLASSES & ACTIVITIES > Monotype Workshop with KILLY

The monotype is a printing process that eschews engraving and etching techniques and only produces one single copy. It is done by painting typographic ink onto a non-porous material like glass, metal or Plexiglas. These three-hour workshops take place over the course of one month.

Saturday, october 24 and 31, november 7 and 14, 2015 from 9 am to 12 pm

Patrick Ganthier, aka, KILLY

Artist and sculptor, Killy worked intensely on engraving when he was living in Montreal. He represented Haiti in the Venice Biennial and regularly exhibits abroad. Upon his return to Haiti, we are delighted that he has chosen to share his experiences and expertise at the Center.

Ages 14 years and older

Maximum number of spots: 25 people

Material entirely provided for by the Center

HTG 500 for annual registration to the Center

HTG 4,000 for the total duration of the workshop (4 classes)


Georges-Liautaud_photo.essaieGeorges LIAUTAUD was born in Croix des Bouquets in 1899. He studied in Port-au-Prince and then worked at the Haitian-American Sugar Company (HASCO) where he repaired the train tracks for the sugar industry.

In the 1940s, he opened his own forge where he fabricated mechanical parts as well as crosses for the cemetery. DeWitt Peters discovered him in 1953 and encouraged him to dedicate himself to sculpture. Thus, it was Georges Liautaud who gave birth to a new movement of metal sculpture. Honored by famous art critics such as André Malraux, Selden Rodman and Jean-Marie Drot, Georges Liautaud, an emblematic figure of Haitian art, died at the age of 92 in 1992.

He was a part of the famous exhibit “Les Magiciens de la terre (The Magicians of Earth)” and his works have been exhibited internationally in places such as the Grand Palais, the Centre Pompidou, the Abbaye de Daoulas, the Fowler Museum, the Brooklyn Museum, the Frost Museum, the Bass Museum, the Halle Saint-Pierre and the Musée de Montparnasse. His work is part of the permanent collections at the MoMA in New York, the Milwaukee Art Museum, the Davenport Museum, the Waterloo Museum, the Huntington Museum of Art, the Figge Art Museum, the Fond national d’art contemporain de France, the Musée national d’art moderne de Paris, the Musée de l’OEA, Le Centre d’Art, the Musée d’Art Haïtien du Collège Saint-Pierre and the Musée de Panthéon National Haïtien.