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LE CENTRE D’ART > About Us

Le Centre d’Art is a public interest institution founded in 1944. A cradle for Haitian art, it has helped several generations of renowned artists from Hector Hyppolite to Edouard Duval Carrié.

Historically,Le Centre d’Art has simultaneously been an educational center, gallery and reference institution for the promotion of Haitian art. The earthquake on January 12, 2010 severely affectedLe Centre d’Art. After the collapse of the building and the death of its director, the site remained closed for four years.

In November 2014, Le Centre d’Art reopened its doors for its 70th anniversary with a temporary layout. Since then, the institution has started to work once again with the public and artists. We are also working on enhancing the Center’s heritage (collection, archives) and developing a total reorganization project for the future.

Our Mission

Le Centre d’Art remains faithful to its original mission and continues to improve it in order to adapt to contemporary issues:

> Find, educate and mentor Haitian artists. Identify talent, enable creation and circulate it for the benefit of the entire art world.

> Document and display Haiti’s significant visual arts heritage. Offer quality access to Haitian art to both the public and professionals.

ACTU > OPEN CALL | Artist-in-Residence at NLS, Jamaica

Le Centre d’Art is setting up a synergy project for artistic creation and artistic analysis in the Caribbean, thanks in particular to UNESCO’s International Fund for Cultural Diversity (IFDC).

The project Implementation of a Network for the Creation and Dissemination of Caribbean Art, aims at creating a link between Haiti and Caribbean places of creation, and to promote the practices of Caribbean artists, especially women, to strengthen the Haitian cultural sector. For two years, artistic residencies will be set up, and will end with an exhibition and a widely distributed publication.

 

THEME

“The ability of humans to participate intelligently in the evolution of their own system is dependent on their ability to perceive the whole”  Immanuel Wallerstein

Toussaint L’Ouverture, Jean Price Mars, Aimé Césaire, Marcus Garvey, Frantz Fanon, Derek Walcott Long is the list of illustrious men who have shaped the Caribbean countries as we know them today. What about Caribbean women? University theses on the role of women are rising but they are not taken for the general public. Art has the power to make accessible fundamental values and principles, which are too often convoluted. This project aims at highlighting the role of women in the construction of the Caribbean.

 

ABOUT THE RESIDENCYfrom June 1st to 30th, 2020

For this segment of the residency programme, NLS/Edna Manley College will host one artist from Haiti or its diaspora for one month in Jamaica.

Le Centre d’Art will fully bear the costs of residency. The artist will be provided with a workspace, tools and supplies and housing. In addition, the artist will receive per diem to cover all food and transportation expenses throughout the residency. The ticket and the visa will also be covered by Le Centre d’Art.

TERMS OF APPLICATION – Residency in Haiti, June 1st to 30th 2020

This call for applications to attend a residency at NLS/Edna Manley College in Jamaica is opened to any woman artist from Haiti or its diaspora.

The call targets exclusively the field of visual arts (such as painting, sculpture, film and photography). The artist may practice multiple forms of artistic production.

The deadline to submit the application is before April 12th, 2019. For further information on the terms, please click HERE.

 

CLASSES & ACTIVITIES > Monotype Workshop with KILLY

The monotype is a printing process that eschews engraving and etching techniques and only produces one single copy. It is done by painting typographic ink onto a non-porous material like glass, metal or Plexiglas. These three-hour workshops take place over the course of one month.

Saturday, october 24 and 31, november 7 and 14, 2015 from 9 am to 12 pm

Patrick Ganthier, aka, KILLY

Artist and sculptor, Killy worked intensely on engraving when he was living in Montreal. He represented Haiti in the Venice Biennial and regularly exhibits abroad. Upon his return to Haiti, we are delighted that he has chosen to share his experiences and expertise at the Center.

Ages 14 years and older

Maximum number of spots: 25 people

Material entirely provided for by the Center

HTG 500 for annual registration to the Center

HTG 4,000 for the total duration of the workshop (4 classes)

THE HAITIAN ART GATEWAY > BIEN-AIMÉ Gabriel

Gabriel Bien AimeGabriel BIEN-AIMÉ was born in Croix des Bouquets in 1951. A former student of the sculptor Janvier Louis-Juste, he is known for being one of the best cut metal sculptors.

Mixing voodoo and Christian themes, his work is distinguishable by its focus on sculptural relief through techniques such as iron folding and the addition of metallic parts.

In 1999 he moved to Boston and lived there until his return to Haiti in 2015.

He participated in the famous exhibit “Les Magiciens de la terre,” and has been internationally exhibited, most notably at the Musée national d’art moderne de Paris, the Milwaukee Art Museum, the Davenport Museum, the Grand Palais, the Abbaye de Daoulas, the Halle Saint-Pierre, the Fowler Museum, the Musée du Montparnasse, the Museo del Barrio and the Queens Museum of Art. His works are in the permanent collections at the Centre Pompidou, the Musée du Quai Branly, the Musée national d’art moderne de Paris, the Waterloo Museum, the Figge Art Museum, the Milwaukee Art Museum, Le Centre d’Art and the Musée d’Art Haïtien du Collège Saint-Pierre.